Many Eyes Wondering
A solo-exhibition presented at The Sculpture Center in Cleveland, Ohio, USA.
November 21, 2025 - January 17 2026
Photos by Jacob Koestler
"Slow Violence" (2025). Plaster, colour-matched paint. 5" x 29" x 18"
"Breathing Side of the Building" (2025). Wool, cotton, linen, natural dyes (black tea, rust), rusted steel. 120" x 120" x 6"
"Baroque Barbeque" (2025). Wool, cotton, natural dye (indigo). 48" x 66" x 7" / "Medusa" (2025). Plaster, white gallery-wall paint. 1" x 3" x 4" (smallest), 7" x 9" x 7" (largest) / "Portals" (2025). Wood, colour-matched paint. 26" x 143" x 60"
"Mythologies" (2025). Cotton, wool, jute, colour-matched paint. 55" x 102" x 2.5"
"Familiar, Fiction, Fillet" (2024). Wax casts, pigment, oil paint. 3” x 5” x 2” (smallest), 4” x 3” x 8” (largest) / "Wild and Known" (2025). Plaster, colour-matched paint. 2" x 3" x 3"
"Legend of the Cow" (2025). Plaster, colour-matched paint. 13" x 14" x 3" (smallest), 12" x 18" x 4" (largest)
"The Smell of Sunlight" (2025). Cotton, linen, wool, natural dyes (annatto, onion skin, avocado, turmeric). 60" x 81" x 4"
Living, Building, Making
A two-month solo exhibition presented in three acts at Unit 270 in Toronto, Canada.
Act 1 - Living (March 7-23)
Act 2 - Building (March 28-April 13)
Act 3 - Making (April 18-27)
Curated by Giles Monette
"Feeeels" (2025). Polypropylene twine, mercerized cotton, acrylic, and merino wool. 77” x 78” x 6”
"Ancestral Diet" (2019). Plaster, sugar. 4” x 4” x 1.25” (smallest), 4” x 4” x 2.25" (largest)
"Slightly Nutty, Sweet, and Peppery" (2025). Cotton, linen, polymer gypsum, black pigment. 26” x 14” x 1” (smallest), 26” x 14” x 2” (largest)
"Ancestral Diet" (2019). Plaster, sugar. 4” x 4” x 2”
"Ancestral Diet" (2019). Plaster, sugar. 4” x 4” x 2.25" (smallest), 14” x 14” x 1.5” (largest) / "Ancestral Diet II" (2022). Cement, brown sugar. 3” x 3” x 2.75” (smallest), 6” x 4” x 2.25” (largest)
ACT 2 - Building
"Rough Like The Winter, Soft Like The Summer" (2025). Polypropylene twine, walnut dyed manila rope, alpaca, wool, silk. 82” x 90” x 2”
"Whole Combos" (2022). Cast plasticine. 4.5" x 3.25" x 2.5" (smallest), 9" x 4" x 1" (largest)
"Legend of the Cow" (2025). Plaster, white and black pigment. 4.25" x 13" x 2.75" (smallest), 18.25" x 12.25" x 4.25" (largest)
"Familar, Fiction, Filllet" (2024). Wax casts, pigment, oil paint. 4.5" x 2.75" x 2" (smallest), 7.5" x 4" x 1.5" (largest)
ACT 3 - Making
"Not Black, but a Very Dark Brown" (2024). Cotton, linen, wool, tencel, human hair (Filipino bundles). 125" x 60" x 4"
"Survival Fish" (2020). Wool, linen, cotton, tencel, silk, yak, milk fibre, rami, bamboo. 52.5" x 48" x 3.5"
"The Smell of Sunlight" (2025). Cotton, linen, wool, natural dye (annatto, turmeric, avocado, onion skin, clay). 60" x 80.5" x 4" / "Otherworlds" (2025). 8-page saddle stitch zine, tan letter-size paper. 8.5" x 5.5"
"Cold Sweat (Phunkahwallah)" (2022). Cast papaya soap, wood, paint. 9.25" x 20.75" x 2.75"
"Exhaust" (2025). Plaster, natural pigment (tobacco and bay leaves), gloss medium. 28.5" x 18" x 5"
Land Be Mine (2023)
Fired clay, sand, sandstone, wood, felt, prints, stickers, magnifying lenses, and found metal. 47” x 47” x 50”
Land Be Mine began as an opportunity to learn new ceramic skills and explore clay foraging during my time as an emerging artist-in-residence at Franconia in 2022. The project seeks to uncover connections between the clay and the land it’s sourced from - right in Franconia’s grounds.
At the centre of the work is an elephant made from foraged Franconia clay and coated with sand from the St. Croix River. The elephant stand over the assemblage of objects as a symbol of acknowledgement. AS a creature in captivity, it also encourages the viewer to experience the work with empathy and understanding. Its figure draws from the colloquial phrase, “I’ve seen the elephant,” which represents the idea that by seeing something so out of the ordinary, one can gain a sense of worldliness.
The work also contains a curated collection off booklets, geological samples, and ceramics. Each is presented as an object of wonder, reflecting unique and intimate stories about Franconia’s landscape and the communities that live to protect it. Through this collection, my aim is to help the viewer better understand how the Minnesota-Wisconsin border region fits into a larger, more global narrative of geo-politics and power.
Installed at Franconia Sculpture Park in Franconia Commons.
Photos by Jane Borstad
Click image to download a copy of "Map For Wild Clay"
Click image to download a copy of "Sand Stories"
Click image to download a copy of "A Vision For World Domination"
Savage Cookbook
A solo exhibition presented with the Sculptor’s Society of Canada at the Canadian Sculpture Centre in Toronto, Canada.
June 4 - July 8 2022
Photos by Rachel Bright
"Whole Combos" (2022). Cast plasticine. 4” x 4” x 1” (smallest), 6” x 3” x 3” (largest)
"Brutal Boogie" (2022). Cast cement, powder pigment, wood, paint. 72" x 36" x 24"
I’ve Seen The Elephant (2021)
An outdoor installation made during the Spring 2021 Emerging Artist Residency at Franconia Sculpture Park in Shafer, Minnesota
Learn more here.
"The Elephant" (2021). Marine vinyl, insulation foam, wood. 54” x 84” x 96”
"Exports" (2021). Stoneware clay, ceramic glaze. 8” x 8” x 1”
Laundry Loads
An installation of works presented in the MFA group exhibition, no time for laundry at the Tufts University Art Galleries in Medford, MA.
May 1-19 2019
Photos courtesy of Natalia Leginowicz
"Elsewhere" (2019). Laser-cut mirrored acrylic. 38” x 24” x 0.125”
"Medriñaque" (2018). Polypropylene twine, gold metallic foil fringe. 84" x 108" x 1”
"Ancestral Diet" (2019). Plaster-sugar mix. 4” x 4” x 1” (smallest), 12" x 12" x 4” (largest)
"FAM JAM" (2019). Wood, paint, castor wheels. 72” x 58” x 40”
"Natural Resources" (2019). Resin, foam, iridescent powder pigment, sound exciter, amplifier, MP3 player. 10” x 10” x 10” / Click on image to listen to playlist
"Sweat Sweat" (2019). Cast papaya soap. 14” x 14” x 1”