Many Eyes Wondering
A solo-exhibition presented at The Sculpture Center in Cleveland, Ohio, USA.
November 21, 2025 - January 17 2026
Photos by Jacob Koestler
"Slow Violence" (2025). Plaster, colour-matched paint. 5" x 29" x 18"
"Breathing Side of the Building" (2025). Wool, cotton, linen, natural dyes (black tea, rust), rusted steel. 120" x 120" x 6"
"Baroque Barbeque" (2025). Wool, cotton, natural dye (indigo). 48" x 66" x 7" / "Medusa" (2025). Plaster, white gallery-wall paint. 1" x 3" x 4" (smallest), 7" x 9" x 7" (largest) / "Portals" (2025). Wood, colour-matched paint. 26" x 143" x 60"
"Mythologies" (2025). Cotton, wool, jute, colour-matched paint. 55" x 102" x 2.5"
"Familiar, Fiction, Fillet" (2024). Wax casts, pigment, oil paint. 3” x 5” x 2” (smallest), 4” x 3” x 8” (largest) / "Wild and Known" (2025). Plaster, colour-matched paint. 2" x 3" x 3"
"Legend of the Cow" (2025). Plaster, colour-matched paint. 13" x 14" x 3" (smallest), 12" x 18" x 4" (largest)
"The Smell of Sunlight" (2025). Cotton, linen, wool, natural dyes (annatto, onion skin, avocado, turmeric). 60" x 81" x 4"
Living, Building, Making
A two-month solo exhibition presented in three acts at Unit 270 in Toronto, Canada.
Act 1 - Living (March 7-23)
Act 2 - Building (March 28-April 13)
Act 3 - Making (April 18-27)
Curated by Giles Monette
"Feeeels" (2025). Polypropylene twine, mercerized cotton, acrylic, and merino wool. 77” x 78” x 6”
"Ancestral Diet" (2019). Plaster, sugar. 4” x 4” x 1.25” (smallest), 4” x 4” x 2.25" (largest)
"Slightly Nutty, Sweet, and Peppery" (2025). Cotton, linen, polymer gypsum, black pigment. 26” x 14” x 1” (smallest), 26” x 14” x 2” (largest)
"Ancestral Diet" (2019). Plaster, sugar. 4” x 4” x 2”
"Ancestral Diet" (2019). Plaster, sugar. 4” x 4” x 2.25" (smallest), 14” x 14” x 1.5” (largest) / "Ancestral Diet II" (2022). Cement, brown sugar. 3” x 3” x 2.75” (smallest), 6” x 4” x 2.25” (largest)
ACT 2 - Building
"Rough Like The Winter, Soft Like The Summer" (2025). Polypropylene twine, walnut dyed manila rope, alpaca, wool, silk. 82” x 90” x 2”
"Whole Combos" (2022). Cast plasticine. 4.5" x 3.25" x 2.5" (smallest), 9" x 4" x 1" (largest)
"Legend of the Cow" (2025). Plaster, white and black pigment. 4.25" x 13" x 2.75" (smallest), 18.25" x 12.25" x 4.25" (largest)
"Familar, Fiction, Filllet" (2024). Wax casts, pigment, oil paint. 4.5" x 2.75" x 2" (smallest), 7.5" x 4" x 1.5" (largest)
ACT 3 - Making
"Not Black, but a Very Dark Brown" (2024). Cotton, linen, wool, tencel, human hair (Filipino bundles). 125" x 60" x 4"
"Survival Fish" (2020). Wool, linen, cotton, tencel, silk, yak, milk fibre, rami, bamboo. 52.5" x 48" x 3.5"
"The Smell of Sunlight" (2025). Cotton, linen, wool, natural dye (annatto, turmeric, avocado, onion skin, clay). 60" x 80.5" x 4" / "Otherworlds" (2025). 8-page saddle stitch zine, tan letter-size paper. 8.5" x 5.5"
"Cold Sweat (Phunkahwallah)" (2022). Cast papaya soap, wood, paint. 9.25" x 20.75" x 2.75"
"Exhaust" (2025). Plaster, natural pigment (tobacco and bay leaves), gloss medium. 28.5" x 18" x 5"
Land Be Mine
2023
Fired clay, sand, sandstone, wood, felt, prints, stickers, magnifying lenses, and found metal. 47” x 47” x 50”
Land Be Mine began as a way to learn ceramic techniques and clay foraging during my Fall 2022 residency at Franconia. The project explores connections between clay and the land it comes from. At its center stands an elephant made of foraged clay and coated with sand from the nearby St. Croix River, symbolizing acknowledgement. As a captive creature, it invites empathy and references the phrase “I’ve seen the elephant,” suggesting hard-won worldliness. Surrounding it are booklets, geological samples, and ceramics that share intimate regional stories, linking this border landscape to broader geopolitics and power.
Installed at Franconia Sculpture Park in Franconia Commons.
Photos by Jane Borstad
Click image to download a copy of "Map For Wild Clay"
Click image to download a copy of "Sand Stories"
Click image to download a copy of "A Vision For World Domination"
Savage Cookbook
A solo exhibition presented with the Sculptor’s Society of Canada at the Canadian Sculpture Centre in Toronto, Canada.
June 4 - July 8 2022
Photos by Rachel Bright
"Whole Combos" (2022). Cast plasticine. 4” x 4” x 1” (smallest), 6” x 3” x 3” (largest)
"Brutal Boogie" (2022). Cast cement, powder pigment, wood, paint. 72" x 36" x 24"
I’ve Seen The Elephant
An outdoor installation made during the Spring 2021 Emerging Artist Residency at Franconia Sculpture Park in Shafer, Minnesota
Learn more here.
"The Elephant" (2021). Marine vinyl, insulation foam, wood. 54” x 84” x 96”
"Exports" (2021). Stoneware clay, ceramic glaze. 8” x 8” x 1”
Laundry Loads
An installation of works presented in the MFA group exhibition, no time for laundry at the Tufts University Art Galleries in Medford, MA.
May 1-19 2019
Photos courtesy of Natalia Leginowicz
"Elsewhere" (2019). Laser-cut mirrored acrylic. 38” x 24” x 0.125”
"Medriñaque" (2018). Polypropylene twine, gold metallic foil fringe. 84" x 108" x 1”
"Ancestral Diet" (2019). Plaster-sugar mix. 4” x 4” x 1” (smallest), 12" x 12" x 4” (largest)
"FAM JAM" (2019). Wood, paint, castor wheels. 72” x 58” x 40”
"Natural Resources" (2019). Resin, foam, iridescent powder pigment, sound exciter, amplifier, MP3 player. 10” x 10” x 10” / Click on image to listen to playlist
"Sweat Sweat" (2019). Cast papaya soap. 14” x 14” x 1”